Super Speed MKIII Prime Lens Set T1.3

Zeiss MKIII Super Speed Lenses

3GPL

Lensbaby 3G PL selective focus lens

R Series Cine Lens Set

Get the Leica Look

2ft x 4 Bank LED Flo

LED Lighting Rental

HMI Lighting

Dedolight Octodome 400w HMI Kit

daily price £ 95.00

weekly price £ 380.00
Arri 200w Pocket PAR

daily price £ 40.00

weekly price £ 160.00
Filmgear 2.5kw HMI PAR

daily price £ 160.00

weekly price £ 640.00
Filmgear 1.2kw HMI PAR

daily price £ 90.00

weekly price £ 360.00
Filmgear 575w HMI PAR

daily price £ 70.00

weekly price £ 280.00
Filmgear 4kw HMI Fresnel

daily price £ 140.00

weekly price £ 560.00
Filmgear 575w HMI Fresnel

daily price £ 60.00

weekly price £ 240.00
Filmgear 1.2kw HMI Fresnel

daily price £ 70.00

weekly price £ 280.00
Filmgear 2.5kw HMI Fresnel

daily price £ 90.00

weekly price £ 360.00
Briese Focus 180 Cinema 2.5kw

daily price £ 300.00

weekly price £ 1500.00
Briese Focus 140 Cinema 2.5kw

daily price £ 260.00

weekly price £ 1300.00
Filmgear 200w HMI Fresnel

daily price £ 50.00

weekly price £ 200.00

Unit 1, Cornwall Works
Cornwall Avenue
London N3 1LD

Bookings / General Enquiries

Tel	+44 (0) 208 343 1260
Fax	+44 (0) 208 371 8209
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Please use our online ratecard as a guide, but call or email us to discuss latest pricing, discounts & equipment availability. All prices exclude VAT.

@LordBronco Let us know if we can help you with anything. We've supplied camera equipment in the US many times.
Just added new kit to our workflow rental inventory: 16TB rackmount RAID system with quad 8Gb/s fibre channel http://t.co/is0RPe3J
Via our in-house @postbluetv facility, you can preview, grade and edit F65 & RED footage with direct connections to our camera test room.
Having in-house post facilities makes the real difference in testing Sony F65 workflow. Let us know if you would like to book a camera test.
Beta firmware, untested workflows & LUT settings - that's the way we like to roll here at @postbluetv & Shoot Blue #F65
@sonyf65 Could definitely do with a user forum/knowledge-base for F65. Any plans to set one up? @Camera_Stephen
Which raises this point: DIT workflow, circa March 2008: http://t.co/1d5qwpeZ DIT Workflow, Shoot Blue, present day http://t.co/SpkkOZEb
It's all about camera workflow here today - @postbluetv now up & running with YoYotta, 16TB 8Gb/s fibre channel RAID arriving later #F65
@jodyneckles @edmoore That said, still waiting for DNxHD support on the Ki Pro Mini, was some time since it was announced by AJA.
Interesting to read about DNxHD support coming to Alexa - and also soon to Ki Pro Mini, Samurai. Must share the same codec microprocessor?
@justinpcoleman Usually need to consider using them when ND.9 or higher required. You are welcome to test Pancro & other IR filters we have.
@justinpcoleman All IR+ND / hot mirror filters will introduce some kind of colour shift to the image. Pancro have a very neutral look.
@justinpcoleman Really depends on your shooting setup, subject matter, lighting conditions etc if you need to use Pancro / IR+ND filters.
@justinpcoleman Certainly, what type of camera/s would you be planning to use them on?
@Philip_Orlandic Not yet, demo lined up in next couple of weeks though.
@drc_online Excellent.. ShootGlue is our favourite so far!
BTW, our data management suite is without a name. Any suggestions? For the IBM (& chess) fans, best one we've had so far is 'Deep Blue'.
In line with our new on-set data management suite, we've launched a new category on our website: Workflow http://t.co/iCy1mXlD
But that's just the basics... more details to follow.
And here is some data we can share with you: 16TB RAID with multi 8Gb fibre, 12-core MAC Pro with 32GB RAM, LTO-5 & 3KW UPS system.

First Sony F65 Camera at Shoot Blue.

London 2012 Olympic Games

How to Cook like Heston - Renegade Pictures

Christmas & New Year Opening Times

Sony PMW-F3 S-Log Recording Option

Easter bank holiday opening times

URSA TV Commercial, starring Cha Du-Ri

Shoot Blue offers a scalable, fully managed crewing service. If you require crew or production staff, we’ll always work to match your exact requirements, providing you with the right level of experience, technical know-how and creative ability to deliver great results for your next production.

Our company ethos has always been focused on offering a little more than the norm – and reaching out that extra mile to ensure your project is a success. To this end, we run a dedicated special projects division to handle the more complex & challenging production requirements.

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